I don’t just think about the worlds that I build; I feel them. My creative process is deeply intuitive, almost like a form of embodied storytelling. I’m not just creating stories, but discovering them, uncovering what already exists in the ether and giving it form. My poetry has trained me to work with rhythm, abstraction, and emotional resonance, which informs how I build immersive worlds and develop authentic characters in my other work. Whether I’m writing a screenplay, designing a narrative, building a game world, directing a film, I follow the pull of these impressions – letting my body guide the storytelling as much as my intellect.